The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Franklin Scott is a gay adult entertainer whose work in the industry casts a long shadow over his aspirations of Hollywood stardom. Despite his charisma and ambition, he finds doors repeatedly closing in his face. As he struggles with rejection—from family, from the mainstream entertainment world, and from a society quick to judge—Franklin forms an unexpected personal connection that becomes both a lifeline and a catalyst for change. This bond forces him to confront the hidden trauma he's carried, face painful truths about himself and those closest to him, and reckon with a world that seldom sees—let alone accepts—his full humanity .
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.