The day has come for recruits to enlist in the Japanese Marine Corps. The recruits, who have left the free world to enter this strict military life, look nervous. Monma Santaro (Frankie Sakai), who grew up in Edo and is small but smart, and Mamada Gosaku (Toshiyuki Ichimura), who was born in Tohoku and has a strong 'zuzu' dialect, have also been called up.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Movie explained - Despite the glaring flaws present, Young Adult Matters is held together by the performances from Yoo Mi and Hani, who keep the story afloat. Though an interesting story, Young Adult Matters is worth watching solely for these performances. Among its brilliant performances is a messy, self-indulgent, and at times overwhelmingly brutal story with more potential than follow through.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
