‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

This film offers an exclusive invitation into the secret world of Frank Auerbach. The legendary painter rarely leaves his studio: he works 365 days a year, from sun-up to sun-down in a furious race against time. There is not a minute to waste. His main links with the outside world are the models who’ve sat for him for between ten and forty-two years. They are from diverse backgrounds: acting, academia, filmmaking and business. They talk with insight about being painted and about the man behind the canvas. Auerbach is filmed in his studio, sketching in the National Gallery and around Camden town, talking about his sitters, his routine, his compulsions, strange rituals, his ambitions and his heroes.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.