Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Francis Bacon poster

Francis Bacon 

Francis Bacon revolutionised figurative painting in the 20th century. The English painter unmasked his subjects in a provocative and ruthless manner. Deformed bodies, grimacing faces and the materiality of colour make us aware of brutality and sexuality, existential abysses and the fears of existence. Author Melvyn Bragg accompanies the painter throughout his day. This begins in his London atelier, leads us on to his favourite pub and ends up in gambling club in Soho.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Francis Bacon revolutionised figurative painting in the 20th century. The English painter unmasked his subjects in a provocative and ruthless manner. Deformed bodies, grimacing faces and the materiality of colour make us aware of brutality and sexuality, existential abysses and the fears of existence. Author Melvyn Bragg accompanies the painter throughout his day. This begins in his London atelier, leads us on to his favourite pub and ends up in gambling club in Soho.

Rating:
Genre:Documentary
Directed By:David Hinton
Written By:
In Theaters:
Box Office:

Runtime:55 minutes
Studio:

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood