“Night will fall fourteen times in this film. We will count them.” So begins this nocturnal, musical journey—a voyage that drifts through the artistic vision of the Basque artist Jorge Oteiza, and which is dominated, above all, by an “Interior, Night” setting: the Basilica of Arantzazu. It is there that the longest night unfolds, beside the sanctuary’s organ, where filmmaker Oskar Alegria shuts himself away to recount these fourteen nights to pianist Iñar Sastre—summoning him to conjure, through the keys, images he wont see. From this challenge emerges a collection of fourteen moons, fourteen darknesses, and fourteen mysteries that form a single frieze. Fourteen, like the number of apostles Oteiza managed to place on the façade of that temple in an artistic challenge that broke all the rules; and fourteen because, as he himself put it, “there was no room for any more.”
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Not every silence is empty. Some are filled with things too heavy for words.
Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
