Is It Still Possible to Achieve a Happyend Nowadays?
Neo Sora left a realistic and yet hopeful notion for the near future and the now.

On the island of Fourni in Ikaria, a researcher observes the lives of the inhabitants. Without a predetermined script, without ready-made questions, as a simple observer. Through this research, the society of Fourni comes to life before our eyes through its people, through memories, through anxieties, through daily toil. On the island, the men are sailors and the women have taken on all the jobs that one would more conventionally expect men to perform, from construction work to farm work. The camera of Alinda Dimitriou and Nikos Kanakis thus vividly records the relations between the two sexes and how the division of labor is a key cog in the functioning of the social machine.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Life may find a way, but is it worth testing its fierceness and how far it will go?
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.