A bold cinematic project which tells the story of four Swiss women, aged 16, 22, 31 and 72: Sylvie, Patricia, Erika and Angèle, by blending fiction and documentary into four individual shorts assembled into a full-length feature film.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
