5 Cerebral Gore Films Featuring Women: When Slasher Meets Women's Horror
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.

James Benning's "Four Corners" uses a specific geographical location to pose larger questions about the United States. Here, the geographic and wholly imaginary place Four Corners, that favorite tourist destination where Colorado, New Mexico, Arizona, and Utah meet, becomes a kind of theoretical ground zero, the site from which Benning can give voice to other, pointedly unofficial American stories.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.