Eleven-year-old Linh shows great grace under pressure. When her mother, who’s raising her kids on her own, has to return unexpectedly to Vietnam, Linh looks after her little sister Tien and the family restaurant on her own. Of course, no one is supposed to find out, not the school, not the neighbours, and definitely not child protective services. But Linh’s biggest problem has red hair, a telescope and a sly grin: Pauline. The daredevil from across the street has the whole neighbourhood under surveillance and can’t imagine anything cooler than a life without parents. When Pauline blackmails the Vietnamese sisters into starting a gang with her, the three girls set off on a daring adventure.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
Eddington attempts to capture how media is intertwined with the uncomfortable present.
