Painter, fisherman, visionary, eccentric - Forrest Bess lived his life in obscurity, at an isolated bait camp off the East Coast of Texas. From 1949 through 1967, Bess showed at the Betty Parsons Gallery in New York City along with artists like Jackson Pollock and Mark Rothko. But Bess' art was only part of a grander theory based on alchemy, Jungian philosophy, and aboriginal rituals, which proposed that hermaphrodism was the key to immortality. Narrated by actors Willem Dafoe and Ruth Maleczech, the documentary combines the beauty of Bess' art with the drama and tragedy of his personal life. Interviews with people who knew Bess, including art historian Meyer Schapiro (his last interview) and Buddhist scholar Robert Thurman bring life to this forgotten artist. Forrest Bess: Key to the Riddleis a fascinating look at one of America's most unusual artists.
Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
