A documentary about the unconverted long-term women prisoners who had been captured as communist guerillas in South Korea and despite decades of imprisonment and social ostracization continue to uphold their cause of reunification and national democracy. The film follows the women as they attend reunification rallies, meet with a new generation of activists, march in protest of the war in Iraq, visit the DPRK to take part in the Inter-Korean Women’s Reunification Rally, reminisce with their comrades, tend to their families, and bury their comrades.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
