'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

In a world where only the abuser and the abused exist, suffering and torture are the only outcomes amid the silent cries. 10 year-old Minnie, kidnapped six years ago, is not the only victim. The kidnapper Ha abducts little girls for their youth and immaculate skin in order to create his “masterpiece”. After six years, spared her life, Minnie is all obedience to Ha, even wishing to be part of the sadistic killer’s tour de force. Unfortunately, she is not the perfect collection for him. To Minnie, Ha has become her lifeline, shelter and everything. When the line between the perpetrator and victim blurs, who takes ownership and control over the destiny of the other?
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.