
1929. The owners of a roadside hotel-a man and a woman-kill the merchant. To solve the murder, the investigator sends his undercover agent to the hotel. A passionate love begins between the agent and the woman. She confessed to her lover about the murder. The killer managed to escape, and the woman was sent to prison.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
Personalities clash and tempers fume in a family-run Chicago restaurant
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.