Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

The film shows Nandia, who tells her daughter that her father has gone bankrupt and believes that her father's business is gone and there is no one else to take care of the family, shaking up the fashion world and conquering it with her innovative designs to save her father's honor.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
This holiday movie serves as the prequel to the TV series The Really Loud House.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.