The Filmmakers’ Olympics are drenched in sweat and blood. The toppest of top athletes meld their bodies with their gear, always prepared to push themselves to the utmost physical and mental limits. Their mantra: Anything for the team – anything for the spectators – anything for the record. United, they clench their butts and do their very best to capture the movie, before the film can capture them.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
