‘West Side Story’ (2021) Improves on and Is Limited by the Original
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary

When a single mother is pushed to her limit, she turns to the only world she knows, a world she's spent a lifetime running from, to protect her daughter. Gigi Davis is a strong, determined woman who insists on living her life on her terms. So when she got pregnant and walked away from a billion dollar family business to chart her own path, it surprised no one. She went on to build a shockingly unremarkable life for herself and her daughter Ashely. Her days were filled with piano recitals, basketball games and everything else you would expect of a single mom living in the city. Gigi was broke, but happy. Her little girl was healthy. Nothing else mattered. Until shadowy figures make the mistake of threatening her daughter's life and she shows them that gangsters come in all shapes and sizes. Unfortunately for Gigi, it doesn't end there and she finds herself being pulled back into a life she never wanted.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.