For the Love of Mike (1960)

Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.

While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.

Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what?  Season 2 answers the question: “What happens after coming out?”

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.

When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.