
For For Right Or Wrong is a documentary feature made in conjunction with Burton Snowboards, which profiles several of the companies sponsored riders in their various snow board disciplines; Pipe, Street, Free Ride and Big Air. A large part of the action takes place around the snowboard wunderkind Shaun White, as he prepares to compete in the 2006 winter Olympic Games in Torino, Italy. The other various narrative strands follow the different paths of the individual boarders as we see them in action and they talk about why it is they do what they do. The film also introduces Burton Snow Board founder and CEO of Burton, Jake Burton Carpenter.
This movie is based on the LEGO Disney Princess building set.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department