For Angela 

It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision. 

A direct fall into the white savior narrative