'Causeway' Explores Toxic Masculinity Through Its Protagonists
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.

Right after a husband and wife (Robert Edeson and Eulalie Jensen) arrive home from their honeymoon, the husband goes to fetch his sister from boarding school. While he is away, the wife's friend and neighbor, McGregor (Harry Morey), invites her to a party, and she accepts. On the way back home, they're involved in an accident, and McGregor takes the wife, who's unconscious, to recover at a nearby roadhouse. Unfortunately, McGregor's coke fiend brother (William R. Dunn) is there partying, and he threatens to put a seamy spin on the innocent situation and tell all.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.