Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

The "Flyer" in question is William Marshall, a young man falsely accused of a crime. Escaping the clutches of the law, he becomes involved with several pretty young ladies. Marjorie Woodworth plays the girl who helps Marshall in his escape, pausing occasionally to participate in a some lively but forgettable musical numbers.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Not every silence is empty. Some are filled with things too heavy for words.