Mitch Downe From "Paranorman" Is Awesome Gay Representation
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.

Suzuki’s world is shattered when his teenage daughter is brutally attacked. The assailant, Ishihara, son of a politician, brazenly mocks Suzuki as he throws him cover-up money. Angry, Suzuki finds he has no answer to Ishihara and in venting his anger, loses his daughter’s trust too. A sleep-deprived, crazed Suzuki goes to Ishihara’s school wielding a knife. He does not find Ishihara, but instead forms an alliance with an odd group of school misfits called the Zombies. The group’s elusive leader, Pak Sun Shin, decides to train Suzuki, who quits his job and embarks on a punishing programme to win back freedom for his daughter.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.