A Man Who Indeed is 'Rescued By Ruby'
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.

Viktor Frankenstein, expelled from Ingoldstat U for doing weird experiments and for acting a bit looney, goes to college in Canada to study brain control under Prof. Preston. Campus radicals frame Viktor (photographed holding a joint) in an attempt to discredit both Preston and the Dean and Viktor is once again expelled. Vik injects Tae Kwan Do expert Tony with his new brain control pellets and soon Tony becomes an instrument of revenge, beating radicals to death, drowning the photographer in a developing tray, and karate-chopping a reporter in the throat to name a few. But why won't Viktor remove his clothes when doing his often naked girlfriend and who is the "real Frankenstein"?
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.