Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.