
Yoon Hye-ri is abducted by human traffickers while meeting her husband, and Oh In-ae is also kidnapped in Itaewon and her innocence is violated. The two people, who are sold to the provinces, try to escape but fail, and the husband gives up his job and looks for a wife. Then, he meets Oh In-ae and finally rescues his wife with the united power of prostitutes, an alienated group, and vows to live while stroking the deep wounds that a sick society has given to his wife.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
A story of a magical dragon brings great representation for Chinese culture.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.