Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Two blood brothers, who have grown up on the streets of Macau, are bound together by a special code of honour. However, this bond ultimately leads them into brutal conflict when they struggle to leave the violent world they live in.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
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