The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.

Bounding from one continent to another, from desert to jungle, this early mondo documentary examines the habits and customs of people whose lives are unaffected by the modern world. In New Guinea, director Pierre-Dominique Gaisseau's crew spends time with jungle villagers who honor the deceased by preserving their corpses, and in Africa they film the resourceful people of the Kalahari. Other subjects include a Brazilian community whose male members wear lip-stretching jewelry.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?