Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Fito Páez | El amor 30 años después del amor poster

Fito Páez | El amor 30 años después del amor 

To celebrate the 30-year anniversary of his emblematic album, “El amor después del amor”, Argentine singer-songwriter Fito Páez performs in a sold-out show at Vélez Stadium in Buenos Aires.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


To celebrate the 30-year anniversary of his emblematic album, “El amor después del amor”, Argentine singer-songwriter Fito Páez performs in a sold-out show at Vélez Stadium in Buenos Aires.

Rating:
Genre:Music, Documentary
Directed By:
Written By:
In Theaters:
Box Office:

Runtime:149 minutes
Studio:El Bajo Producciones

Articles You May Like


Elvis Owes Much to the Black Community

The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.

Lynn Asare

It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood