EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Welcome to the 'Fist Fuck Police Department' headquarters. A kinky precinct headed by director Tom Moore, with six officers and fugitives who's only way of settling charges is through sore holes busted out by hefty fists. When prisoner Josh Mikael won't stop taunting officer Luke Sage, Luke works two fat fists into his hole to show him just how dirty of a cop he is. When the tables get turned, Luke rides Josh's fist atop his desk until he shoots his load all over paperwork from the case. Detective Tony Orlando is interrogating Sherman Maus in his office. To get him to talk, Tony uses his authority to gape the offender's hole with his thick fist before taking a stretching himself. Repeat offender Josh Mikael finds himself in Dale Savage and Brian Bonds's custoday once again. They work out a deal where the dirty cops beat up Josh's hole until giving him control to bust them out.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
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