Takeaways on Cutaways
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

Lucien, a modest engineering student, discovers that his steady girl friend Mireille is using him to cover up her dates with Mario, an older man. Lucien wanders about the streets of Paris and meets Joëlle, a sophisticated teenager who supports herself with a job in a sleazy nightclub. It is late when they meet, and Joëlle invites Lucien into the club and demonstrates her stripping act to her one-man audience. A feeling of rapport develops as they go from place to place seeking entertainment; in the morning the two discover they have fallen in love. Mireille learns of the romance and, on a bet, plots with Philippe and other friends to break up the affair. Neither Lucien nor Joëlle, however, succumbs to the propositions of Mireille and Philippe. Later at a nightclub, Mario gives the appearance of seducing Joëlle. Enraged, Lucien rushes at him and they fight. Lucien is reunited with Joëlle--he has learned of the complexities of love, and she has acquired from him a sense of stability.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Dora is the superhero we didn't know we needed.