What is it like to experience living through climate change and geopolitical unrest from specific vantage point of the screen? As NPCs during epoch-making events that are incoherent but full of affect and memetics? Tragedy is indifferent to geography. This video essay employs a visual and textual language that responds to the current threat of extinction. This type of compact metalanguage emerges as a by-product of new technologies such as deep learning and neural nets. Narrated by a disarticulate AI egregore, FIRST PHONE plays like a more-than-human stream of consciousness, laying in sharp relief a reality that decenters humans in its imaginary. The video draws parallels between the indifferent machine and Red Sea hostilities of political and ecological nature, coming to grips with a world plunged deep in the era of chaos.
For many people, Disney+’s debut show, The Mandalorian, was a breath of fresh air for the Star Wars universe. The Disney Gallery shows audiences how that show came to be.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
