Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

FIREWALL follows Ani, an Iranian-American girl in Texas longing for her father, lost and unreachable due to an internet firewall in politically turbulent Iran. Ani finds comfort in playing the cello and a beloved pop-up book of the Shahnameh, Iran's longest epic poem. Her mother's frustration over Iranian protests heightens the tension at home, but Ani becomes immersed in a vivid retelling of the Persian legend of Zahhak, the Serpent King. One night, when her father mysteriously returns, ancient Persian mythology intertwines with her reality, forcing her to confront the physical and mental demons that have kept her from finding peace.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.