Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

Sveta Vasilkova - my mother's "Firefly" - moves from a tiny village to the city to study at an elite school. The appearance of a strange newcomer in a red cap, who seems too smiling and naive, immediately changes the usual life of the class. The future elite of society is forced to look at themselves from the outside and find not the best features. Not everyone is ready for this, and a split occurs in the group. In order to somehow return the guy's attention, the beauty and leader of the company Zhenya decides to reveal the girl's secret.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.