'Purple Hearts': A Romantic Drama Movie
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.

Finist Yasny Sokol is the most famous hero of Belogorye, the strongest, most dexterous and most deserved. Well, the most beautiful, of course. All other heroes are equal to him, children want to be like him, and girls just look at him. Finist is a real superstar. And he carefully protects and maintains this status of his. He needs more and more feats, he is simply obsessed with them. But there is a nuance. The practical benefit of the feat for Finist is no longer of decisive importance. Let's say, freeing a village from a herd of wild boars that tramples down crops is boring, uninteresting, futile: they won't gossip about it, they won't admire it. But going to the end of the world, where Beauty is imprisoned in a tower, guarded by an unimaginable Beast, is a challenge.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.