A coming-of-age story that follows two strangers over the course of two quietly eventful days, which begin with the severance of a friendship and the end of a summer-long love affair originating from the same emotional source. When Faye, a twenty-five-year-old Black woman, mistakes a nameless Young Man of the same age for a complicated figure from her childhood, the pair finds themselves catapulted into what at first seems like a run-of-the-mill romantic affair, but which soon morphs into something far beyond their comprehension. What follows is a mysterious exploration of two minds becoming one, a tender study of friendship, memory, desire and identity.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
