For three years, Nam-cheol and his girlfriend, Joo-hee, have lived together. A rent hike pushes them to search for a new place—only to find worse options. Joo-hee is advised to apply for the newlywed housing program with Nam-cheol. Meanwhile, Nam-cheol's mother—trapped with a conservative husband—urges Nam-cheol to apply for the youth rental housing lottery so she can move into the unit herself, effectively "graduating from her marriage." Nam-cheol must choose just one of the two programs: "graduating from marriage" or marriage. Will they find happiness in the end?
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
Whether you like cinema classics, sketch comedy, or science fiction, HBO Max has something for you! Check out our top picks for diversity and representation.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
