After being released from prison, Chen is attacked by his old nemesis but, at the urging of his wife, agrees not to seek revenge. Chen finds himself targeted by the villain and his cohorts after he saves an old woman.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Word of mouth has been incredible, but the film's faults cannot be ignored.
