Mirrorball (Miami sFF Review): A Passionate Tribute to La La Land
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

More than two decades after reshaping electronic music as one-half of The Knife, Swedish avant-pop artist Fever Ray brought their radical sonic vision to Sydney Opera House at Vivid LIVE 2024 for their highly anticipated Australian debut. From the spectral synth beats of The Knife to the shapeshifting pop soundscapes of their solo work, Swedish avant-garde alchemist Karin Dreijer – aka Fever Ray – carved a singular, uncompromising path through 21st-century electronic music. Following The Knife’s wildly successful third album, Silent Shout – named by Pitchfork as the best album of 2006 – Fever Ray released their 2009 self-titled debut, a modern masterpiece of haunting, left-field electro-pop. It was followed by 2017’s Plunge, which found Dreijer embracing their newfound queer identity through a set of irresistibly sensual, alien pop songs.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
WandaVision is already proving to be a huge success.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen