"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Feride grew up in the "Mehribonlik Uyy". She falls in love with a young man named Farhad. However, the young man's father opposes their relationship. Feride, who entered university, meets Farhad there too. Their relationship deepens. There, Feride becomes friends with a fellow student named Nargiz, who is the daughter of a wealthy family. However, Nargiz also falls in love with Farhad. As a result, a love triangle arises. However, Farhad's heart was with Feride. Feride, on the other hand, was not worthy of Farhad's family. What will her fate be now? Can Farhad fight for his love? What about Nargiz? Can the girl who has achieved everything in life and learned to give up her feelings for Farhad?
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation