The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The audience will experience an exciting deep dive into the legacy of Fela Kuti, the creator of the Afrobeat, through the eyes of a Nigerian boy, Adedola (Ade). Ade struggles to survive in Lagos. He has a special relationship with his grandfather and they share a passion for Fela Kuti; the sudden death of his granddad ignites a spiral of self-destruction. Ade is considered “possessed”, and almost killed by an exorcistic ritual. He is then visited by Fela’s spirit and embodies Fela’s fight.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance