'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

After losing his son in the Itaewon disaster, taxi driver Seongjun endures a numb, hollow routine, estranged from his wife as well. Then, an unexpected connection with Min-ah, an aspiring actress, begins to gently unsettle his tightly closed heart, and ultimately breathes life back into the part of him that had stopped living.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.