
Shiva (Bharath) enters into St.Peters college, Bangalore and meets Pooja (Renuka Menon), who was born and brought up in the United States and has come to India to stay with her grandparents while completing her college education. Shiva falls in love with her but soon realises that their characters are totally different. Pooja feels alone, like a fish out of water in India and she wants to return to the US. So Shiva thinks about a plan to get her to stay and he expresses his love to her by creating a fictitious character MR X but never reveals about the character till the end. Pooja who got impressed by MR X refuses to see him in the later stage but understand and accepts shiva's true love.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.