“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.