The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

After reaching a crossroads in life, Henrik finds himself in deep reflection over what has been and that which is yet to come.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.