Gemini Man Review: A Poor Utilization of a Promising Cast
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.

Marios, a 12 year old boy, on his way to school, finds out something utterly unexpected.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.