The kids and Uncle Anders want to participate in the hotels competition to become “The Sunny Family of The Year” but father says no, underlining that “We’re good enough as we are!” He changes his mind, though, when he meets the competing family, and recognize the father as his old school mate, who’s been bullying him for all of their school years, for being physically inadequate. Consequently father enters the competition with all his might and heart, and what should have been a friendly contest, ends up being a fight for honor and redemption, and it’s only by the loving and innovative intervention from the kids, that father in the ends realizes that the family really doesn’t need to go to any of such extremes. They are actually good enough as they are!
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
All in all, 47 Meters Down: Uncaged is a film I would recommend. It promotes the bond of sisterhood, which in this case is clearly thicker than blood, as well as courage. No one truly knows how strong they are until they go through something unimaginable and come out changed for the better.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
