A young kenpo karate martial artist returns home after ten years in reform school on a quest to find out who murdered his father. He is befriended by an old monk and a local Irish beauty. His search takes him to the prestigious Bealtaine Martial Arts Tournament. Together with his past, the good guy is drawn into conflict with the local drug baron and his son, and the conflict makes the young man face his father's death in a way he could never have imagined.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
