Detective Rita Rizzoli is accustomed to donning costumes and going undercover to nail crooks. But she'll be required to use all of her get-ups and more when a major cocaine ring is suspected of turning out a potent new strain of the drug, called "Fatal Beauty." With the help of her partner and a former bodyguard for a local cartel, Rita will do whatever it takes to find out who's dealing Fatal Beauty and stop them.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
