Farishtay 

The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.

If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)

James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).

Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.