Rai Bahadur is a wealthy man who lives in a palatial home with his grand-daughter, Pinky, and grandson, Raju. One night Raju gets abducted and is sold to notorious and hideous-looking gangster Ustad, who forces crippled children to beg and steal for him. Raju also gets inducted in this gang, and is taught to steal at a very young age. Years later, Pinky recognizes Raju as her brother and takes him home to grandpa, who accepts him immediately and provides for him with joy. Then a few days later some silver items are stolen from his house, and Raju is missing. Rai Bahadur is shocked and reports this matter to the police, and continues his search for his missing grandson. Is Raju really his grandson? Did he actually steal the silver items?
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
